I begin each piece by painting on a stretched canvas, establishing the foundation of color, mood, and composition. Alongside it, I work on a separate loose canvas, painting both sides. I then tear the loose canvas into strips of varying widths and lengths, twisting each piece to create movement and form. These sculptural elements are carefully arranged and adhered onto the original stretched, painted surface. The result is a fusion of painting and relief—where texture, movement, and color come together to form a new visual language.